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Home FEATURES Weston Teruya

Weston Teruya
Written by Trippe   
Wednesday, 13 September 2006 04:10
Interview with a great Bay Area artist and CCA MFA graduate.
I first spotted Weston's work at last year's CCA graduate show and was instantly impressed. It was by far my most favorite work in the show, and ever since then I've been trying to get him up on the site even though I know that the work won't translate as well as it does in person. Most of the work you'll see below is so much detailed and larger than what it appears... Let's just say that you should go and check out his show that's taking place at Patricia Sweetow Gallery the first week of November. You'll be pleased you did. -Trippe

// It Hardened Her Resolve When They Told Her She’d Be Back Soon (reform project ouroboros with normative definition schema)
spraypaint, gouache, cut paper collage, ink, and color pencil on paper
71" x 90", 2006

Location? Age? Describe what you were like in high school.

In the process of moving from the Mission to South Berkeley. A year ago I was moving from West Oakland to SF so hopefully I'll stay in this new place a little longer this time. In high school I think I was much more driven to be a "nice guy"...whatever that may mean.

There is some art that just doesn't translate online- or that it's much more impressive in person. Your work, for example, is very detailed and is also mixed media. Can you explain your work in terms of how you go about creating a piece?

Usually I start with some loose sketches to get a sense of the layout of the piece and work through some of the narrative and conceptual ideas The first part to go down on the actual paper is typically a stencil/spraypainted section. From there I'll build up on the surface, either by adding the cut out elements like the roots, fences, texture for the trees or other drawn elements like the shisa (guardian figures). Then I'll finish up any last details of the drawing with gouache. That being said, in the larger pieces there's a little more room for play. I might have this overarching idea of what the piece is about, but as I start working through the piece, I try to make sure that the original sketches are loose enough that I can respond to things as they go down. Because I generally work from a pretty consistent base of images and visual elements, it's important that there's some leeway in there to make sure not everything is predetermined.

// Learning How To Represent (the second line steps in to follow)
spraypaint, gouache, collage, pencil, ink on paper
41 1/2" x 60", 2006

You're getting your masters at CCA in fine art. What would you tell a friend who may be thinking of going there?

I actually just finished up the MFA program but have another year for a MA in Visual Criticism. The dual degree mashes together the 2nd year of the MFA and the 1st year of the Vis Crit program which is a nice option because I think it allows for some additional theoretical backing if that's your thing. I think CCA's strength is definitely their studio practice (independent study) units which you can use to work one-on-one with faculty or outside curators and artists. I went to a liberal arts college with about 4 art faculty for my undergrad so the experience of getting to work with such a wide range of folks is pretty mind blowing.

Mode of transportation?

I’m fond of my increasingly beat up truck.

How long have you been in the Bay Area- and what's your take on it and the art scene here?

I've just been up here for 2 years now. When I first got here for school I remember walking through the Mission at one point and seeing all the art spaces, posters for upcoming shows, small boutiques or cafes with art on the walls and feeling both like I was a small fish amongst all this and glad that I was somewhere that there was so much going on. I was in LA prior to this; obviously there's a strong art scene there, but the geography makes it hard to get a sense of things unless you're already in the loop.

With SF having higher rent and the fact that SF doesn't sell as much art as LA does, do you have a city of preference or are they just not comparable and why if so?

I relate to each city very differently. SF, being the place where I got my MFA, is where I have a visual arts community and the entryway to what’s happening in that sphere. My relationship to LA was built through activist and community work, so my network there covers a different kind of territory. The Bay is growing on me but I still have a loyalty to LA. Probably because it gets shit on a lot. And having been there for so long, it’s closest I have to “home” outside of Hawai’i.

// Growing Beautifully (the question was rhetorical, the answer is horrible)
ink, spraypaint, acrylic, gouache and cut paper on paper
42" x 114", 2005

You were just part of a show down at 49 Geary at the Patricia Sweetow Gallery. What was your experience with the show and showing down there? Did you sell some of your work?

I was fortunate enough that Patricia was able to sell a small piece and the large drawing that was in the show. I actually have another show coming up at the gallery at the beginning of November. It's been great to work with her through this process. I'm still learning a lot so I'm just lucky that things have been going well in that regard.

What’s an average day for you?

At the moment my routine is a bit scrambled since school just started up again. One of the constants tends to be that no matter how hard I try, I lean toward a fairly nocturnal schedule. I’m usually most productive somewhere between about nine to four in the morning.

Favorite place in SF (bar, park, neighborhood, whatever) and why?

It’s not SF but for a bar, I like George and Walt’s in the East Bay (Rockridge/ Oakland).

Tell us about the last time you got into a fight and why.

With my partner a couple of days ago. For being a selfish and neglectful bastard.

Favorite magazine and candy bar?

I used to be into Blu and Stress when they were being published. Usually candy bars are more about a lack of other options for me so almost anything works as long as it doesn’t have too many nuts.

Upcoming?

The show at Patricia Sweetow at the beginning of November.

// New Developments During a Sinister Exchange Which Provided Contested Proof of the Project's Success (even the sap in the trees move nasty)
gouache, spraypaint, ink, soot and cut paper on paper
35" x 58", 2005

// Fabulous Beachfront Property (mainland transportation project)
spraypaint, gouache and cut paper collage on paper
18" x 22", 2006

// Rebuilt and Burgeoning. (entertaining the new settlers)
spraypaint, ink and cut paper collage on paper
18" x 22", 2006

// Somewhere Along the Line-Up (generative properties of invisible networks)
cut paper collage, spraypaint, gouache, ink and color pencil on paper
18" x 22", 2006

// There’s Much to be Earned (the whole and not the half of it)
ink and cut paper collage on paper
12" x 18", 2005

// Clear Skies, Gracious Living (par 5)
(SF Arts Commission Gallery installation)
spraypaint, gouache, ink and acrylic on cut paper pasted to wall, 2005

For more info on Weston, check his site: nocturnalguerillatactics.com {moscomment}

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contact FF

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///
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Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net

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Think how high those throw ups can be now.

 

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Wednesday, 25 August 2010 11:50


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BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

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Jeremy Fish at LA's Mark Moore Gallery

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John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

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Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

I purchased one of the first digital cameras when Fecal Face went online in 2000. It was a massive Kodak with 2 mega pixels


"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".


"Veins of Octulen" by Curiot at FFDG

"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.


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